The London Screenwriters’ Festival is an annual three-day conference for screenwriters.
In 2024, the LSF will be held at Regent’s University in Regent’s Park, London*, from the 5th to 7th of April. Directions to the venue here
For three days, over 1,000 screenwriters, filmmakers, producers, practitioners, actors and executives congregate to share ideas, build powerful relationships, and get a creative shot in the arm.
Most delegates report massive breakthroughs in their understanding of the business and craft, as well as huge acceleration toward their career goals. However, perhaps the most vital part of the festival is the inspiration and sense of belonging you will experience when you attend. Year on year, delegates report that the community at the festival is one of the main reasons they return.
The Main Events
During the three days of the festival there are around 130 structured seminars, lessons and workshops.
You can see the schedule for this year, here (the schedule for 2024 will start to populate in the months before the festival).
You can see an evolving list of the 2024 sessions, here.
You do not need to book a place for any of these sessions, they are all on a first come, first seated basis.
Occasionally, some sessions are so popular, seating will run out.
We will try and give you advance warning about these sessions so you can get there early if you want to attend.
Between sessions, there are half-hour breaks, with a ninety-minute break for lunch. Onsite, there is breakfast, lunch and dinner available, plus drinks, tea and barista coffee.
The breaks are a great opportunity to network with delegates and speakers.
In the evenings (Friday and Saturday of the festival) we host networking drinks which most delegates and many speakers attend. It’s a chance to unwind, consolidate old relationships and create new relationships.
Additionally, on the Thursday night before the official opening of the festival, there is a networking party where you can pick up your pass early.
Over half the delegates usually attend this Thursday event.
There is a floorplan of the venue (that will be updated before the festival), here.
We also film most sessions so you don’t miss out. These sessions form an ever-growing library of world-class seminars and workshops that are available to delegates only.
When you sign up you will get access to all past video sessions, as well as the sessions from the festival for which you have purchased a pass.
You can watch a sample video, an ‘In conversation with William Nicholson’ the screenwriter of Gladiator, by clicking here.
Slickly organised, friendly and with a lively, sparky cohort of attendees. Please invite me back."
Richard Holmes, Feature Film Producer
Every year we have around 150 industry professionals who come and speak. In the past, we have played host to the world’s biggest screenwriters, producers, agents and directors.
These industry experts have included…
- Matt Charman
(Writer – Bridge of Spies)
- Ed Neumeier
(Writer, Producer – Robocop, Starship Troopers)
- Jonathan Lynn
(Writer, Director – Yes Minister, My Cousin Vinny, The Whole Nine Yards)
- Lynne Ramsay
(Writer, Director, Producer – Ratcatcher, We Need to Talk About Kevin)
- Jeb Stuart
(Writer – Die Hard, The Fugitive)
- Paul Abbott
(Writer – Shameless, State of Play)
- Christopher Vogler
(Story Consultant – The Writer’s Journey)
- Scott Myers
(Writer, Educator – Go Into The Story)
- Stephen Woolley
(Producer, Director – The Crying Game, Carol, Interview with the Vampire)
- Bruce Robinson
(Writer – Withnail and I)
- Steven Moffat
(Writer, Producer – Dr Who, Sherlock)
- Mark Gatiss
(Writer, Actor – Sherlock, League of Gentlemen)
- Ken Loach
- Jim Uhls
(Writer – Fight Club)
- W. Peter Ilif
(Writer – Point Break, Patriot Games)
- Christopher McQuarrie
(Writer – Usual Suspects, Valkyrie, Mission Impossible: Rogue Nation)
- Stephen Frears
(Director, Writer – The Grifters, The Queen, High Fidelity, Philomena)
- Carl Gottlieb
(Writer – Jaws)
- Nicole Perlman
(Writer – Guardians of the Galaxy)
- Ol Parker
(Writer – The Best Exotic Marigold Hotel)
- Duncan Heath
- Joel Schumacher
(Director, Writer – The Lost Boys, The Client, Falling Down)
- Ted Tally
(Writer – Silence Of The Lambs, Red Dragon, The Juror)
- Lynda La Plante
(Writer – Prime Suspect, Above Suspicion)
- Phil Redmond
(Creator of Brookside, Grange Hill and Hollyoaks)
- William Nicholson
(Writer – Gladiator, Les Miserables, Shadowlands)
- Charlie Brooker
(Writer – Black Mirror, A Touch Of Cloth)
- Joe Eszterhas
(Writer – Basic Instinct, Jagged Edge)
- Mike Leigh
(Director, Writer – Secrets & Lies, Naked, Life Is Sweet)
- David Hare
(Writer – The Reader, The Hours)
- Dan Mazer
(Writer – Borat, Ali G)
- Lisa Albert
(Writer, Producer – Mad Men)
- Olivia Williams
(Actor – The Sixth Sense, An Education)
- Gurinder Chadha
(Writer, Director – Bend It Like Beckham)
- Frank Spotnitz
(Writer, Producer – Hunted, The X-Files, Millenium)
- Duncan Kenworthy
(Producer – Love Actually, Notting Hill, Four Weddings)
- Edgar Wright
(Director, Writer – Tin Tin, Scott Pilgrim, Shaun of the Dead)
- David Reynolds
(Pixar & Disney Staff Writer – Finding Nemo, Emperor’s New Groove, Mulan)
- John August
(Writer – Dark Shadows, Big Fish, Charlie & The Chocolate Factory)
- Ian Brennan
(Creator – Glee!)
- Ash Atalla
(Producer – The I.T. Crowd, The Office)
- Robert Popper
(Writer, Producer – Friday Night Dinner, Look Around You)
- Stephen Mangan
(Actor – Greenwing, Episodes)
- Jessica Hynes
(Writer, Actor – Spaced)
- Sally Phillips
(Actor, Writer – Smack The Pony, Miranda)
- Griff Rhys Jones
(Writer, Performer – Not the 9 O’Clock News, Alas Smith & Jones)
Over 600 industry professionals have now presented at the LSF including execs and producers from broadcasters, Hollywood studios, and UK productions (large, small and everything in between).
Alongside the industry professionals, world-class screenwriting tutors and practitioners from the UK and Hollywood also attend, providing what are often the most widely attended sessions of the festival. They have included…
- Pilar Alessandra (Pitching Expert)
- Christopher Vogler (Writers Journey)
- Robert McKee
- Scott Myers (The Black List)
- Karl Iglesias (Hollywood Script Expert)
- Jen Grisanti (Hollywood TV Expert)
- Linda Aronson (Non-Linear Expert)
- Julie Gray (Story Expert)
- Christopher Vogler (Hero’s Journey Expert)
- Linda Pogieter (Negotiation Expert)
- Luke Ryan (Producing Expert & Active Producer)
- Kate Leys (Script Expert & Active Script Editor)
There is an up-to-date list of speakers here (there will be around 150 by Date TBC).
I have a greater understanding of how I fit into this industry and how to navigate my career now. Thank you!"
Hayley Treacy Pepler, Writer, Producer
During the festival, there are also separate events that are included as part of your ticket. You must apply for each of these events ahead of the festival and the process for application differs slightly for each.
The Great British Pitchfest!
The most popular of these additional initiatives is the Great British Pitchfest where you get the chance to pitch your projects to execs, producers, agents and filmmakers. Each delegate gets ONE ninety minute slot* for the Pitchfest and the booking system goes live on Date TBC.
Due to the popularity of the Online PitchFest in 2021, we are delighted to bring the PitchFest back online, with execs tuning in to speak with you from all around the globe!
Slots go fast, so make sure you are available to book yours (we will email you about this closer to the time).
You can see the 70 or so Pitch Execs attending the Pitchfest here (most will go online in the Summer).
You can read more about the Pitchfest, here.
Made a tonne of new friends, both delegates and speakers, and ended up with TEN SCRIPT REQUESTS!"
Rudolf Kremers, Screenwriter
Other Workshops Include… The Advanced Mentoring Script Labs
The objective of the Labs is to assist writers who have a fully developed screenplay in a specific genre, to move their work to the next level.
There will be a variety of slots available, covering a variety of disciplines and topics. Within each Lab, there is space for up to six writers. The labs are different each year.
*We are looking at shorter labs with fewer delegates and more labs in total. We expect to double the amount available online.
Past Labs have included ‘Writing For Disney with Finding Nemo writer Dave Reynolds’, ‘Writing The Hollywood Thriller with Basic Instinct writer Joe Eszterhas’, ‘Writing Fantastical Universes with Guardians of the Galaxy co-writer Nicole Perlman’, ‘Writing Comedy Features with Borat writer Dan Mazer’, and ‘Writing For Channel Four with former Channel Four Commissioner Gub Neal’.
Submissions open Date TBC and close Date TBC and we encourage the writers and expert leading each Lab, to connect and begin work before and after the festival.
Successful applicants are announced on Date TBC. More here.
Dave Reynold’s Script Lab was a career highlight for me. He threw himself into my screenplay and built on it with ideas and advice only someone of his experience could offer."
Nathan Russell-Raby, Screenwriter
Other Workshops Include… The Actors Table Read
The Actors’ Table Read is an opportunity for you to get your screenplay workshopped by professional actors and a director. This has proven to be our most successful initiative to date, with 99.8% positive feedback participants.
In 2024 we aim to have 144 slots available.
If you submit a script to the process and you are selected, you will attend a one-hour session where you, the director and the actors will work on one sequence (between 3 and five pages) of your script.
These are closed sessions and will be booked before the festival. Submissions open on Date TBC and close Date TBC. Successful applicants will be announced on Date TBC
More here, including a short behind-the-scenes video.
You can see the actors and directors who will work on your scripts, here.
I cannot tell you how invaluable the Actors' Table Read was for me – and from feedback I've heard, for other writers too."
Sylvia-Anne Parker, Screenwriter
Other Workshops Include… Script Chat
After each session, speakers are invited to meet delegates in roundtable sessions that we call ‘Script Chats’.
These informal and intimate chats can often run for an hour or more. It’s our way of giving direct access to specific experts so that if you want to, you can take the conversation to the next level. We have found that even the biggest names are happy to spend time coaching and sharing in Script Chats.
You do not need to book a place at a script chat, just turn up. Sessions that are followed by a script chat will be marked accordingly on the schedule. More here.
I then sat at a small table with Stephen fricking Frears and chatted with him. I chatted with Stephen Frears!"
Lisa McMullin, Screenwriter
Other Workshops Include… The Script Surgery (Details to follow soon)
Submit a two-page outline and the first ten pages of your script and we will offer expert feedback in a fifty-minute, one-on-one session.
The booking system for Script Reading goes live on Date TBC. You can choose your slot when the sessions go live (last year all slots went in the first hour). If you get a slot, one of our readers will connect with you before the festival.
On the day and time of your booking, go to your appointment with a printout of your outline and the first ten pages of your script, and you will be met by your script doctor. At any one time, six script doctors are in session and we aim to offer help on around 100 projects. More here.
You can read up about the team of script doctors here.
We also operate a drop-in desk over the three days of the festival. So if you want to just rock up with your script, get some feedback or ask for career advice, head over to The Script Surgery and book yourself a slot in one of the drop-in sessions.
"Inspiring speakers, enthusiastic team, supportive community, and fabulous pitching opportunities!"
Alison Clapham, Screenwriter
Other Workshops Include… The Legal Clinic
Do you have legal issues you need a lawyer to help you with? All delegates at the festival have the option to apply for the legal clinic that is run by Blue Pencil Media.
You can ask any question you like and their legal team will do their best to answer your concerns. More here.
"The HOURS of deep dives into the craft of writing, which will be available for us to keep on returning to, it is priceless."
Vered Neta, Author, Screenwriter & Script reader, Tenerife
Other Workshops Include… Meet The Experts
Get a full half hour with seasoned film producers, distributors and executives.
Have your project grilled by a team of heavyweights. Meet The Experts is not for the faint-hearted and you can be certain of a very tough conversation. Think Dragons Den but for writers’ concepts and projects. More here.
It is THE event to go to as a screenwriter. I will be coming back next year, and the year after, and the year..."
Fiona Hunniset, Screenwriter
Other Workshops Include… Script to Screen LIVE
Read the script, watch the film or TV show, and then meet the writers, filmmakers, and producers at the festival. This is a rare opportunity to get access to the script that was taken to set, then follow it through the journey of production, examining changes which can be discussed during the session at the festival.
In the past, we have run these fantastically insightful and entertaining screenings with Jim Uhls and Fight Club, W. Peter Iliff and Point Break, Carl Gottlieb and Jaws, Joel Schumacher and The Lost Boys, Joe Eazterhas and Basic Instinct, Ted Tally and Silence Of The Lambs, and Dave Reynolds and Finding Nemo.
Some absolute standout sessions for me and not one duff one – now that is a hell of an achievement!"
Jan Caston, Screenwriter
Other Workshops Include… Speed Networking
It’s tough to work an entire room at one event, there are just too many people to meet. The answer for us is our new organised Speed Networking. In just 50 minutes, you will meet 20 to 30 new people; then you can choose to continue the conversation later at the party, with the people who you feel you have the deepest connection or shared interests.
During the festival and within the main sessions there will be many ‘interactive’ workshops too, where you may be invited to submit a script for editing, or asked to read a script in preparation for a special ‘script to screen’ session, such as the one with Joe Eszterhas and Basic Instinct that we ran in 2013 or Silence Of The Lambs with Ted Tally in 2015.
These sessions will come online around four weeks prior to the festival and we will send you emails about them as and when they locked in.
Getting Your Pass*
*Online passes will be issued to delegates in the runup to the festival. More details will follow.
You can sign up now and get your pass HERE. Passes cost £499.
We no longer offer refunds or ‘rollovers’ if you cannot attend. This is the legacy of Covid-19. You can convert your pass to ‘credit’ for other events, or sell it or transfer it to another person. Bottom line, if you have a problem, connect with us and we will do our best to help.
One pass will get you full access to the festival. Last year we sold out nearly one month before the festival, so don’t wait to get yours.
You will need a pass BEFORE you can book any of the additional sessions such as the PitchFest, Labs or Actors Table Read.
Many delegates miss out on great stuff because they don’t plan their festival ahead of time. Read the emails we send and act on submissions and deadlines.
You will be sent a special delegate guidebook (PDF link via email) which you should print out and read.
This will give you an overview of the whole event and offer additional detail where needed. This book will be updated two wees before the festival and should be re-downloaded and printed out at that time. We will email you about this update when it becomes available.
Again, many delegates skip printing and reading this document and subsequently miss out on many terrific initiatives simply because they did not know about them until deadlines passed. Spend fifteen minutes sooner rather than later, getting to grips with everything on offer.
When you arrive at the Festival you will be able to collect your Festival pass from registration. Without your pass you will not be allowed entry into the events, so please don’t lose it.
You can collect your pass on the Thursday Night Networking party on the Thursday 4th April 2024, or on the Friday morning of the festival. We advise getting to the venue early as there may be bottlenecks for the first hour or so.
Registration will stay open during the festival in case you cannot make Friday morning.
In the three days running up to the festival (Tuesday, Wednesday and Thursday) we run a series of one-day masterclasses.
We have designed these to be as useful as possible for delegates, especially those travelling from great distances. They are competitively priced at £48.50 per day (for LSF delegates).
You can get more information on Festival Week, here.
Joe Eszterhas is reading my script!"
Dee Chilton, Screenwriter, @DeeChilton
## Important Operational Emails ##
Once signed up, we will email you regularly with updates when needed. We will always do this with a header using hashtags. An example email header might be…
## PitchFest Booking System, Goes Live on Saturday ##
This would signify this is an operational email from us that you should read and not leave till the end of the week or delete as spam. We do send a lot of these emails as we don’t want you to miss out on the good stuff.
The festival is a kick up the ass to be more productive, to keep writing when life gets in the way // 5 Stars"
Colm Ryan, Screenwriter
Dates and Deadlines
There is a list of current dates and deadlines on the website, here.
If these deadlines change, we will let you know via email and update the page accordingly.
Dates WILL CHANGE, it’s inevitable. So again, please check the emails we send you.
LSF gave me a much clearer understanding of the industry than I had before I came."
Bianca Rowena, Screenwriter
World-Class Support Team
We pride ourselves on having the best support team possible. Each and every one of them will help deliver the most extraordinary experience for you at the festival.
You will also find that, like you, most of them are also creatives who have chosen to give their time and effort to support you and your career. They are officially the superheroes of the festival.
The festival is a kick up the ass to be more productive, to keep writing when life gets in the way // 5 Stars"
Colm Ryan, Screenwriter
Want more convincing? We have a ton of feedback from both delegates AND speakers (and execs) that you can read, here.
We get feedback to help share the awesome experience of the festival with others, as well as gain insight into how we can improve even more year on year.
Below is just one random quote…
"The genuine camaraderie with like minded artists and speakers uplifted my spirits in way no other place has. Thanks to all who made the dream possible."
Debbie Croysdale, Writer & Indie Director, London
Join the Movement
People come to their first LondonSWF for the sessions and the speakers. People return for the feeling of belonging and the other delegates. The festival is like an annual family gathering, a tribe if you like, of people who get who you are, and you get who they are. We are not alone, we are a movement – a community.
This sense of belonging is repeatedly reported as the single most important aspect of the festival.
You provide an experience that is way beyond the cost of that ticket. I don’t know how on Earth you do it but THANK YOU."
Lisa McMullin, Screenwriter
Whoahhhh! There’s a lot going on!
Yes, there is and that’s what is SO awesome about the festival. We have lovely staff who will answer your questions, as will the veteran delegates who offer so much too. Getting the most from the festival is all about getting prepared and then letting yourself go, allowing the experience to take a hold of you.
- 81% of our delegates give the event 5 stars
- 99% said they would recommend it.
- 99% also say that it is value for money.
Get your pass here.
Or sign up for updates with the email sign-up below.
We look forward to seeing you there.