with Michal Aviram
If you are writing a crime, thriller or action drama that will run for multiple seasons on platforms like Sky, Netflix or Amazon Prime, then this three-hour immersion lab is for you.
Expect competition for the six slots to be high, so only submit when your work is the best that it can be. To be considered, you will need to submit the following:
- A treatment for your television project (between two-six pages)
- A supporting statement about you and the project, giving context
Submitted treatments will need to have a great storyline, a bunch of interesting characters and be about something.
Appearing in this session
Credits include Fauda, Project Orpheus
In this three-hour lab with Catherine, you will get to grips with the commissioning process, delivery expectations and the overall business of the children’s TV market.
The smart writers know that the best way to learn to write under pressure, hone craft, create contacts and earn both credits and money is through the soaps and serial TV.
Enrich and focus your story by immersing yourself in the lives of your characters in this three-hour lab for TV and film screenwriters.
How do you write a script that will be attractive to UK and international producers working in the £250K to £900K range? How do you make it cinematically rich and rewarding with a powerful story AND the ability to be shot cheaply and quickly?